Bruce Nauman Body - aegisscholastic.com
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Bruce Nauman e o corpo que é a obra – Plástico.

Nos vídeos que fez, realizando performances para a câmera, elevou as noções de body art para um novo patamar, fundindo ato e registro, corpo e obra. Diante da câmera e na textura granulada da película, Nauman se transformava em escultura maleável, um corpo moldado pelas necessidades plásticas na solidão de seu ateliê. Born in 1941 in Fort Wayne, Indiana, Bruce Nauman studied mathematics and physics at the University of Wisconsin. In the late 1960’s Nauman earned a reputation as a conceptual pioneer in the field of sculpture. He produced his first videos in 1968. Using an array of media including video installation, performance, sculpture, and photography, Bruce Nauman is known for conceptual works that explore space, language, and the body. Nauman infuses his pieces with irony and humor, creating verbal and visual puns to often-unsettling effect, challenging viewers and making them aware of their own.

Artwork page for ‘a’, Bruce Nauman, 1970 Nauman has explained that these Studies for Holograms grew out of his performance works: 'The idea of making faces had to do with thinking about the body as something you can manipulate. I had done some performance pieces - rigorous works dealing with standing, leaning, bending - and as they were. Body Pressure is an art piece by Bruce Nauman which basically is a mix between conceptual text art and performance art. The work invites the spectator to become the performer and challenges them to explore the physical and mental aspects of their own body Warmenhoven & Venderbos designer fashion Blog warmenhoven

In the work of Bruce Nauman, stillness becomes a torture greater than physical violence, whispering turns into a hardly constrained menace and repetition evolves into an impossible task. Bruce Nauman, Tony Sinking into the Floor, Face Up and Face Down left,. Exhibition. March 5–May 23, 1995. A comprehensive retrospective devoted to the work of Bruce Nauman b. 1941, one of the most rigorously experimental and influential American artists of his generation, Bruce Nauman comprises more than sixty works—including walk-in environments, video installations, neons, sculptural objects, and sound. Installation view: Bruce Nauman, Leaping Foxes, 2018 Bruce Nauman: Disappearing Acts, 17 March to 26 August 2018, Schaulager® Münchenstein/Basel, installation view with Bruce Nauman, Leaping Foxes, 2018, Polyurethane foam with steel and wire cables, Emanuel Hoffmann Foundation, giftof the president 2018, on permanent loan to the Öffentliche.

15/10/2018 · THOUGH THE ARTIST Bruce Nauman’s home and studio are just outside of Santa Fe, N.M. — a few miles from grapefruit margaritas, enchiladas with red-and-green chile sauce “Christmas style”, stores selling miniature adobe huts, innumerable yoga studios, innumerable galleries of local artists — the distance feels greater. En las obras que Bruce Nauman creó en estos años, el artista utilizó una gran variedad de materiales e, incluso, su propio cuerpo, no solo con tatuajes y pinturas, sino también con posturas y movimientos, siendo una herramienta más de su creación.

Bruce Nauman Fort Wayne, 6 de diciembre de 1941 es artista multimedia estadounidense, cuyas esculturas, vídeos, obra gráfica y performances han ayudado a diversificar y extender la cultura a partir de la década de 1960. Wouldn't it be convenient to introduce this essay by noting a general euphoria surrounding Bruce Nauman in the international art world? It would have legitimated my critical analysis of Nauman but also have led me straight into something disagreeable. Because at the end of the 1980s only a small, established part of the art world was shouting. Dia Art Foundation is a contemporary arts organization with locations in Beacon, New York, and the American West.

Media - Bruce Nauman Schaulager.

Body Pressure Conceptual performance art by.

Bruce Nauman Born in Fort Wayne, USA, in 1941. He lives and works in New Mexico, USA. Bruce Nauman’s artistic practice famously began with a simple question—“What to do?”—and developed from his subsequent realization that anything an artist does in his or her studio must be characterized as art.

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